There is something almost architectural about this vase—two rising forms emerging from a single body, like a gesture caught between reaching and retreating. Burned to a deep, lustrous black, the ash retains its grain beneath the surface, giving the piece a quiet sense of movement.
Its asymmetrical openings invite flowers to occupy different heights and directions, turning the vessel into a composition rather than simply a container. One stem can feel spare and intentional; several can transform it into something more expansive.
Organic in origin but almost sculptural in silhouette, this is a piece that lives comfortably between functional object and collectible design. The contrast of blackened wood and delicate botanicals gives it a particular tension—strength and fragility, permanence and the fleeting life of the flowers it holds.